People spend a lot of time on social media but it's not to watch commercials. So how do brand marketers reach those people? The Native Advertising Institute asked Hannah Meium, former director of content at DDB.
People spend a lot of time on social media. But it’s not to watch commercials. So how do brand marketers reach those people? Which essentials should they keep in mind? And where do you start if you are new to branded content on social media?
Below are highlights from the interview which have been slightly edited for clarity.
“People spend a lot of time on social media. It’s over two hours a day and they’re on social media for a for a lot of different reasons. One of the reasons they’re not there is to go to watch commercials. So as brand marketers we’re like ‘uh-oh what do we do?’
But they are going on social media to find entertaining and heartwarming content. And they’re also going on social media to learn about products and figure out what products they might want to buy.
Therefore, those are the two areas that we can really focus on and hopefully tell some really nice stories that will motivate people to engage with our brands.”
“The work we create today is living on multiple platforms, it’s not just living on TV or just on Facebook. Usually, we’re creating for different platforms.
And when creating work for many different platforms it’s important to not just keep in mind that the specs are different but the way we tell stories on different platforms is also different.
In television commercials, for example, you can have a nice linear story, it can have a build, and it can have a reveal at the end. Because for the most part, you can bet on the fact that your consumer is actually going to watch to the very end. Because they’re waiting for the commercial breaks to be done so that their programme can continue.
With Facebook, it’s very different. You need to capture their attention as they’re scrolling through their feed. So you need to flip the narrative on them. You need to — I tell my team this a lot — you need to give them the punch line of the joke and then tell them the joke.
You need to pull them in right away, really quickly and give them a reason to stick around and watch until the end of it.”
“Often, the teams that are creating all this work are very large. Even at creative advertising agencies, a different team is creating the television work than the one that might end up creating all of the digital work.
So it’s really important that those two parts are working really closely together. Because you don’t want different messages happening. You want a consumer to just sort of experience these different touch points.
And hopefully, if you’re doing it well and telling a really nice through-line of a story — they’ll see it on TV, then they’ll see something on the subway, they’ll see something on Facebook — and then they’ll start to pull all the pieces together.
You don’t want it to be separate and all over the place. So for that reason collaboration is really important. You don’t want to create for TV first and then figuring out how it can also be made for social.”
“The way that we create good content that people are going to pay attention to?
One thing I would say is, think about the stuff that you like on social media. Try to figure out why you like it and then apply those things to the work that you’re creating. Because if you’ve liked it, chances are someone else has liked it for the same reason. And you want to find something that’s really gonna resonate with an audience.
If you aren’t part of the audience for the product that you’re working on, then try to put yourself in their shoes and think about what it is that they do like and create for that.”
“Three things to think about and that I’m always having on the top of my mind when creating content?”
“The first thing is that you want to give your audience something of value. Give them something that’s gonna add to their lives, that’s gonna teach them something, make them feel something, make them learn something new.”
Purpose-build for platforms
“The second thing is that creative should be purpose-built for platforms. So you can’t put the same thing on TV that you put on Facebook. It needs to be really thinking about that platform first.”
“And the third thing — and this is more of a tip for starting to think more natively — is to leverage influencers, celebrity talent, and partners. I think that can be a really smart way to start to create some case studies and show how native first thinking and social first thinking can really work.
Because you’re testing it on other people’s platforms. And sometimes more legacy brands can be a little bit more comfortable with that to start out with.”
More like this
Native advertising is gaining ground and favour among advertising campaigns, making up a growing part of overall revenue. These gains are expected to continue over the next three years as fully integrated advertising campaigns continue their onward ascent.17th Dec 2018 Insight News
View and download the speaker presentations from the FIPP Insider in London, 12 December 2018.17th Dec 2018 Insight News
A UK collaboration between Dennis, Immediate, Bauer and Haymarket has picked up the top award at the 2018 FIPP Insight Awards presented at FIPP Insider London on 12 December 2018. Gold award winners included Sanoma Media Netherlands, MPA - the US Association of Magazine Media and Magnetic, UK.12th Dec 2018 Insight News
This year has seen a dramatic increase in the financial importance of native advertising. For the third year in a row, we’re proud to present the findings of our annual global study, in cooperation with the Native Advertising Institute covering native advertising trends in the magazine industry.5th Dec 2018 Insight News
From titles changing hands at accelerating speed as media companies race to consolidate and capture larger audiences within their focus markets, innovating to adapt to the demands of new platforms and diving into AI - these were some of the major publishing industry trends identified by by James Hewes, president and CEO of FIPP at the FIPP Insider event in London today.12th Dec 2018 Features
Following what judges described as the most competitive year since FIPP and UPM’s Rising Stars Awards started in 2015, the Rising Stars winners were announced last night at the FIPP Insider event in London. In addition, three companies were awarded for the high standard of their entries this year.13th Dec 2018 Rising Stars
The last decade has been a fascinating one for women's mainstream media. Established titles have undertaken the shift from print to digital and in some instances have pioneered new ways of engaging their audiences.10th Dec 2018 Features
Vogue’s third Fashion Festival in Paris was a showcase of how the title not only monetises from events but also boosts brand awareness.10th Dec 2018 Features
In the year since new CEO Dan Hickey helmed suburban Milwaukee-based Kalmbach Media, he has been focused on the rapid transformation of the company from a traditional print publisher into a provider of high-quality media and related services for modern enthusiast audiences.10th Dec 2018 Features
Visit our Youtube channelFIND OUT MORE
FIPP newsletters allow you to keep up with industry trends, research, training and events across the worldFIND OUT MORE
What’s happening now, what’s coming next