For prominent publishers who boast large and successful magazine brands, licensing content is often a core part of their revenue generation strategy. However, as the type of content those brands create has evolved, so has the nature of the deals.

The 10th edition of the Innovation in Media 2019-2020 World Report will be launched on 25 March 2019 at DIS2019 (Digital Innovators' Summit) in Berlin, Germany. Check out the 12 proven-success magazine media business models for the 21st century.

“That’s what I thought. I’m ready for this. And I was excited. I had spent five years in digital; I was excited to be able to return to the media I had fallen in love with, which was print. That was the thing that defined my decision to become a magazine person in the first place. I had been a maniacal print obsessive for my whole childhood. And spending those years in digital really helped me have perspective on consumers and consumer behaviour.” - Kate Lewis, chief content officer, Hearst Magazines

As increasing numbers of news and magazine media publishers around the world look to reader revenue strategies for sustainable business growth, retention has taken on new importance across the magazine media landscape. 

Loyal podcast listeners will stomach a few more advertisements to support their favourite show, a study by Westwood One found. Advertisers have successfully incorporated their products into podcast programming, yet podcasts’ ability to translate that willingness by listeners into substantial revenue still lies further down the road for the medium.

The international magazine industry routinely sees big advances, large transformative strategies and exponential growth. But, changes don't always have to be big - small changes, like pebbles tossed in a lake, can have ripple effects.

In December, FIPP and UPM announced the winners of the fourth annual Rising Star Awards. Amongst the accolades was the Special Jury Award, given to nine year old editor, Charlie Robinson, of Inside Out Publications. 

MPA, the US Association of Magazine Media, was presented with a gold and a silver award from the FIPP Insight Awards.

The FIPP World Media Congress Super Early Bird offer, saving you more than US$1,000 per ticket on final rates, ends on 28 February.

Today is your last chance to save €400/ticket to attend DIS 2019, taking place on 25-26 March in Berlin, Germany. Our exclusive Early Bird offer ends today.

That is to register for DIS 2019 (innovators-summit.com) before the deadline for our Early Bird rate, which ends tomorrow 31 January.

Only 15 days remain to register for DIS2019 with our exclusive Early Bird Offer, saving you hundreds of euros per ticket on eventual rates.

The website for the 42^nd FIPP World Media Congress in Las Vegas, USA is now live along with our Super Early Bird offer with savings of more than $1,000 per ticket on final rates for individual bookings!

Launched in 2007, DIS (Digital Innovators’ Summit) is a premium international media innovation bringing together delegates, speakers and sponsors from around the world.

For prominent publishers who boast large and successful magazine brands, licensing content is often a core part of their revenue generation strategy. However, as the type of content those brands create has evolved, so has the nature of the deals.

“That’s what I thought. I’m ready for this. And I was excited. I had spent five years in digital; I was excited to be able to return to the media I had fallen in love with, which was print. That was the thing that defined my decision to become a magazine person in the first place. I had been a maniacal print obsessive for my whole childhood. And spending those years in digital really helped me have perspective on consumers and consumer behaviour.” - Kate Lewis, chief content officer, Hearst Magazines

As increasing numbers of news and magazine media publishers around the world look to reader revenue strategies for sustainable business growth, retention has taken on new importance across the magazine media landscape. 

The international magazine industry routinely sees big advances, large transformative strategies and exponential growth. But, changes don't always have to be big - small changes, like pebbles tossed in a lake, can have ripple effects.

At this year's Consumer Electronics Show (CES) in Las Vegas, Meredith announced a new business unit focused on innovation and product development called Meredith Innovation Group, encompassing Meredith Product Studio, Meredith Voice Network, and Meredith Smart Codes. 

Collaboration in the magazine and news media industries has hit a high point this year, internally and externally, across regions and borders.

In November, Jacqueline Gifford was promoted to editor-in-chief of Travel + Leisure at Meredith. Previously, she was Travel + Leisure's travel director, and has held various positions since 2013 when she joined the Meredith brand. Gifford succeeds Nathan Lump who left Travel + Leisure in September 2018. 

While the absolute growth of ad engagement on Twitter continues to inch upwards, the rate of that engagement hasn’t been able to maintain its phenomenal fiscal year (FY) 2016 rate.

The 10th edition of the Innovation in Media 2019-2020 World Report will be launched on 25 March 2019 at DIS2019 (Digital Innovators' Summit) in Berlin, Germany. Check out the 12 proven-success magazine media business models for the 21st century.

Loyal podcast listeners will stomach a few more advertisements to support their favourite show, a study by Westwood One found. Advertisers have successfully incorporated their products into podcast programming, yet podcasts’ ability to translate that willingness by listeners into substantial revenue still lies further down the road for the medium.

More than 90 experts representing leading international media companies from 14 countries met in Berlin from February 6 to 7, 2019, at the invitation of Axel Springer for the sixth International Paid Content Summit. 

On this week’s episode of Media Voices, the team brave Snowmageddon to interview Digiday editor-in-chief Brian Morrissey, about publishing economics and sustainability, how B2B is cool, and the value of being really honest about change.

The United Kingdom was able to drum up the most social media ad revenue in 2018, according to analysis and forecasts by Statista’s Digital Market Outlook. The UK brought in about US$2.8 billion in revenue solely from advertising on social networks, excluding revenue generated from membership-subscriptions or premium fees.

[Sponsored] The global megatrends that are driving the need for sustainable development are population growth, urbanisation, climate change, digitalisation, and non-renewable resource depletion. The publishing industry is not immune to these. In fact, as a prime user of natural resources, responsible publishers today are increasingly asking what their role should be to meet sustainability challenges and with it achieve maximum positive impact.

The acceptance of the need to turn data into valuable information has reached a tipping point and will accelerate in the next three years, writes Thomas Howie, COO of events software platform Evessio.

Rumours of the death of print media have been greatly exaggerated. While online publications have been experiencing tremendous growth in recent years, the fact is that 58 per cent of subscribers still describe themselves as primarily print-oriented, and 60-80 per cent of publisher revenues are still generated from print. It’s true that the majority of print-first subscribers are older, but that doesn’t mean younger audiences won’t pay for print. They will, and they do.