They’ve also taken a fundamentally different approach to the market. Rather than continue to battle one another to the bottom with discount pricing, the industry is now widely practicing what’s called “capacity discipline.”
If you’ve been flying lately, you’ve probably noticed that it seems as though every flight is fully booked. That’s because in recent years the airlines have cut back on their routes, thereby limiting the number of seats available and keeping prices high. “We will absolutely not lose our capacity discipline,” United’s CEO Jeff Smisek told USA TODAY earlier this year. “It’s very healthy for us and very healthy for the industry.”
In some instances, airlines have reduced the number of seats in premium areas of the plane. Lufthansa, as an example, cut the number of first-class seats on its 747 from sixteen to eight. The seats remaining are bigger, comfier, and more expensive. To drive up prices even further, many airlines have discovered that they can charge for all sorts of “extras” – and then suddenly, everything became an extra…bags, legroom, bathroom. Ok, that last one is a joke, although Ryanair has toyed with the notion of charging customers to use the bathroom.
At the end of the day, all business breaks down to this simple equation: Profit = Volume x [Price-Cost]. You basically have three levers to pull: You can try to increase your scale; you can reign in costs; or you can move price up or down. A high volume, low-priced business, for example, is what some like to call commodity hell. The airlines finally figured this out. They have effectively curbed supply in order to fuel demand, and it’s working.
But how does all of this relate to the publishing industry? Right now, media – online media, in particular – is still a high volume, low price game. For brands like CNN.com and the New York Times, they’ve been trying desperately to claw out of commodity hell. For years now, they’ve been watching the price of advertising erode as Google and now Facebook gobble up their share of the market.
In fact, most of us end up trying to make up in volume what we lose in online advertising pricing. But perhaps it’s time for a dose of capacity discipline. In other words, what if we started running fewer ads, but making them more compelling and less annoying?
We may not have a choice. The viewability trend is forcing publishers to prove that the ads we serve have in fact been seen. And The New York Times, among many, have moved towards larger drop down ads inside their pages – including their homepages. USA Today introduced something called Gravity, which is an elegant full-page video advertisement that slowly drops into the web page, freezing the user until they have essentially seen the entire ad. For advertiser, this is akin to buying that bigger, comfier chair in first class—and it comes at a higher price.
Kramer goes on to say that he’s seeing a flight to “quality programmatic” – meaning ad networks, such as Pangea, which is composed of select group of news brands, including the Guardian, Financial Times, and CNN International.
Unfortunately, however, these efforts are puny when compared to the tsunami of online advertising options that offer marketers massive scale at low prices. Programmatic buys or networked offers have exacerbated the problem and droves of publisher have gone along, fearing that they won’t sell all of their inventory unless it’s in the discount rack.
The massive shift to mobile complicates the issue even further. Larger ad units on smaller screens might not make for the best user experience. Here’s where native advertising has come on the scene as a potentially strong option, but it’s an alternative that comes with its own set of obstacles.
The shift to a capacity disciplined approach en masse would not be easy for the media industry given all the pressures to scale up. But it could be hugely beneficial for publishers, not to mention advertisers – especially those who may feel increasingly stuck with television for brand campaigns when they can plainly see their audiences shifting increasingly to digital.
But sadly, publishers who continue to play the volume game, sacrificing price, may find that they are on a flight to nowhere.
I’m looking forward to hearing your take.
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