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Visa’s Stephanie Losee on publishers and native advertising success

Stephanie Losee is one of the few native advertising pioneers to have sat at both sides of the table: brand and publisher. In her opinion brands and publishers need to work very closely together on native advertising campaigns...but this is unfortunately not always the case.

Stephanie will speak at Native Advertising DAYS 2016. FIPP has negotiated a €100 discount on tickets for FIPP members wishing to attend the event in Berlin, Germany, taking place from 16-17 November. To qualify for the discount, just type in the promotional code “NADFIPP16" when purchasing your ticket. Read more about the event and claim your discount with the promotional code here.

Stephanie Losee ()

Here Stephanie shares lessons from serving as launch partner of The New York Times’ Paid Posts as Managing Editor of Dell, whose series of sponsored articles was the first on the site, then moving to POLITICO where she launched the political publication’s brand content studio, and now back at a Fortune 500 company as Head of Content at Visa. 

What have you found is the most critical element of a successful native advertising campaign?

I’d have to say it is access to the editorial content-lead at the brand. I think it’s obvious, but when I was working on pieces for advertisers at POLITICO, that kind of access was unusual. Rather, we would work with agencies that would then consult with the brand, but I found that often the agency didn’t understand what executives of the brand really wanted from the engagement, resulting in a lot of late-stage pivots that can undermine the success of the project.

Why do you think that happens? Why don’t brands participate more in the creative process?

There are a lot of reasons. I think of content marketing as being fairly mature at this stage, but I’m often surprised to find that many brands still don’t have a managing editor or editorial content-lead in place. I grant you it’s a tough hire, since the most successful ones are journalists who understand and love marketing and PR — unicorns, essentially. The other key reason is that brands are often thinly staffed in this function and need to hand off the work to agencies as much as they can. They prefer to weigh in on the development of the piece from time to time, but by then the project has often already taken shape in a way that doesn’t reflect the business or messaging objectives they had in mind but might not have articulated to the agency.

What can publishers do to make native advertising easier for brands?

Take the lead, which is hard because when you’re in the vendor position you’re always afraid you’ll make a wrong move and lose the deal or turn the piece into a one-off, which is frustrating for everyone after standing up for what is essentially a new distributed team and working out all the kinks in the relationship never to benefit from the lessons learned and let it rip the second time. But when the publisher has a skilled in-house creative agency and the brand allows them to do what they do best, for the audience they know most intimately, it’s a beautiful thing to witness.

 Could you share two good examples on a successful native advertising campaign that delivered great results and were built on a strong publisher/brand collaboration?

My POLITICO team and I really enjoyed working with BP on a multimedia piece called “Journey Below the Subsurface of the Earth” that demonstrated how the company “sees” underground to find more oil in existing wells and identify new reservoirs without drilling. It was best practices in every way. BP’s Head of US Communications Liz Sidoti was on the very first call and we worked with her team throughout to publish an impactful and visually arresting piece with off-the-charts time spent on page of over 4 minutes, which is well above editorial.

Another was a series of two pieces we did for Leidos — one that leveraged a long-form article and photo gallery they had created in-house and another we designed called “Hacker Avenue”. The latter was an interactive data visualisation about the havoc cybercriminals can wreak on a city street that POLITICO readers also found highly engaging. These are the bespoke projects publishers’ studio teams live for, and I look forward to collaborating on similar work with an array of publishers now that I’m back on the brand side at Visa. We have one gorgeous execution in the works right now with a September-October flight that I can’t disclose yet — stay tuned!

Join Stephanie Losee along with other inspirational speakers from companies such as Google, The New York Times and Linkedin at Native Advertising DAYS 2016.  FIPP has negotiated a €100 discount on tickets for FIPP members wishing to attend the event in Berlin, Germany, taking place from 16-17 November. To qualify for the discount, just type in the promotional code “NADFIPP16" when purchasing your ticket. Read more about the event and claim your discount with the promotional code here.

The Native Advertising Institute is a member of FIPP.

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