return Home

10 questions for…Christopher Lukezic, publisher of Airbnb’s magazine, Pineapple

The launch of apartment rental website Airbnb’s print magazine in November left many wondering why the already hugely successful international brand had decided to move beyond its online roots.

Amy Duffin spoke to Christopher Lukezic, publisher of Pineapple, about the decision to branch out into print and what the future holds for the apartment rental company.

Airbnb has gone through a major rebranding exercise this year. What was the decision behind the magazine launch?

The idea came from a desire to capture the unique nature of traveling through Airbnb. We wanted to bring that sense of creativity, culture and connection to life. I began having discussions with the founders and our head of creative, Andrew Schapiro, about bringing the brand to life through a printed magazine this past summer, when our new branding was about to be unveiled to the public. Around the same time I met Alex Tieghi-Walker (Pineapple's editor-in-chief) through a mutual friend. I invited Alex to spend a few weeks with me in San Francisco concepting various ideas for the first issue and eventually asked him if he wanted the editor-in-chief role. Midway through the development of the magazine, Airbnb hired Brendan Callahan who joined us as creative director. Alex, Brendan and I, along with our head of photography, Carrie Levy, acted as partners in the creation of the publication, each with our own strengths and complementary skills. I really couldn’t have asked for a better team to work with on the creation of Pineapple.  

 

Who is Pineapple aimed at, and what has its reception been like so far?

This is a travel magazine for the curious minded. The primary audience for the magazine is our community around the world who want to experience cities in new ways. The reception has been overwhelmingly positive so far. This is a fresh take on travel publishing, that eschews the more prescriptive nature of most travel magazines that exist. It gets under the skin of cities in a way that people really desire these days.

 

The inaugural edition is ad free. Are there plans to change that and start taking advertising?

At the moment we are exploring all possibilities for the future of Pineapple.

 

Have you employed a team to produce the magazine?

Pineapple was produced in-house. The process has brought together people from different departments within Airbnb, from the photo, video and design teams to those working on social policy. We then enlisted excellent writers, photographers and illustrators, all very local to each city, including the brilliant Nathaniel Russell who created dream-like drawings to introduce the cities. I don’t see the people we spoke to for each article as interviewees, I see them as contributors; their stories are told in first person and they lead the voice of the magazine. Working with such a large and passionate group of people – both within and outside of Airbnb – has been incredibly inspiring.

 

The magazine will be sent to those already using Airbnb. How will you use it to attract new customers? Do you plan to launch a loyalty scheme?

We hope that people look to Pineapple as an inspiring source of travel content and find it useful when planning their trips.

 

Airbnb follows a number of online players launching offline (print) magazines. Why in your view is this happening?

This is Airbnb’s first real step in to the realm of storytelling. Our community is 20 million strong; there are so many stories to be told by members of this community. This isn’t a magazine about homes, it’s about the connections that our community makes in the environments where they live or travel. For us, print was the perfect medium to tell these stories.

 

What lessons do you think online brands like Airbnb can learn from media owners? And vice versa? What will constitute success?

Building a loyal following of readers requires a commitment to producing high quality content that has strong editorial integrity. This is something a lot of brands haven’t yet mastered when they enter the realm of content, but I think that is changing rapidly.

 

A large part of FIPP's role in the world is to assist with internationalisation of brands. Which markets are you covering, and how do you plan to expand globally, if at all?

Airbnb is in over 30,000 cities across 192 countries, so it is tantamount that we keep an international focus with every issue. We will continue to work with our community to explore the unique characteristics of different cities around the globe.

 

What do you have to say to those who assert print is dead?

I think it’s a complete misnomer to say that print is dead. Print is changing, that’s for sure. The desire for physical magazines and books will always remain. Without being too precious, print is still the best medium for telling stories in words and photographs. Just as the screen is great for interactivity and video.

More about Pineapple.

We recently launched the new FIPP.com (in beta, while doing live testing and refinements). The relaunch is not only about look and feel, but even more so about us providing a platform to further enable the sharing of ideas, insights and opinions within our global network. If you have a story to tell, or are interested in contributing to FIPP.com on a regular basis, get in touch with our communications manager, Amy Duffin.

  • Behind Time magazine covers: a Q&A with DW Pine

    Chronicling the nation’s issues, events and history as it happens, Time magazine shies away from nothing and creates emotional impact in an instant. Time magazine is known for its iconic covers, something D.W. Pine, Time’s creative director, recently called “one of the most iconic pieces of real estate in journalism.”

    14th Jan 2019 Features
  • Rob Ristagno, founder and CEO of Sterling Woods, on the power of membership programmes

    At a time when media companies are seeking to find alternative sources of revenue to advertising, membership programmes have taken centre stage. Over the past couple of years we have seen The New York Times, The Guardian, Politico and others enjoy huge success in monetising readers in this way.

    14th Jan 2019 Features
  • How Thomas Cook resurrected a print magazine that died in 1939

    One of the greatest successes born from the new Thomas Cook Media and Partnerships division within the Thomas Cook travel agency was the rebirth of the printed magazine, The Excursionist, originally founded in 1851. Speaking at FIPP Insider in London, Ed Marr, group head of commercial publishing, media and partnerships at Thomas Cook Group, explained how an integrated multi-channel media offering within the holiday retail company made this possible.

    14th Jan 2019 Features
  • How Beano used data and insight to give digital life to a print brand kids love

    The longest running British children's comic magazine, Beano, has gone through a huge revolution in the past two years transforming itself from a purely print magazine into a global digital platform. At the recent FIPP Insider event in London, Hayley Granston, commercial MD, Beano Studios, UK, explained how they used data and insight to reinvent the iconic British brand for today’s tech savvy kids.

    10th Jan 2019 Features
  • How Italy’s most successful cooking website went multi-platform - all the way to print

    Spinning off a monthly print magazine in 2017 to create an additional revenue stream for Italy’s hugely popular cooking website, Giallo Zafferano, was such a significant success that it sold 2.5 million copies in the first year, says Daniela Cerrato, head of digital product marketing of the Italian magazine division at Mondadori Publishing Group.

    7th Jan 2019 Features
  • Magazine media M&As - what happened in 2018 in review

    In this industry, change is constant. Though, over the last number of years, we've seen increasing numbers of mergers and acquisitions on the media landscape. 2018 was no different, with magazine media marketplaces restructuring, consolidating and diversifying. 

    7th Jan 2019 Features
  • Behind Time magazine covers: a Q&A with DW Pine

    Chronicling the nation’s issues, events and history as it happens, Time magazine shies away from nothing and creates emotional impact in an instant. Time magazine is known for its iconic covers, something D.W. Pine, Time’s creative director, recently called “one of the most iconic pieces of real estate in journalism.”

    14th Jan 2019 Features
  • How Thomas Cook resurrected a print magazine that died in 1939

    One of the greatest successes born from the new Thomas Cook Media and Partnerships division within the Thomas Cook travel agency was the rebirth of the printed magazine, The Excursionist, originally founded in 1851. Speaking at FIPP Insider in London, Ed Marr, group head of commercial publishing, media and partnerships at Thomas Cook Group, explained how an integrated multi-channel media offering within the holiday retail company made this possible.

    14th Jan 2019 Features
  • The Atlantic launches "Unthinkable": 50 Writers. 50 Essays. 50 moments that define the Trump presidency

    As we near the midpoint of the Trump presidency, The Atlantic has cataloged the 50 most norm-bending moments of the administration, analysed by 50 of The Atlantic’s writers and contributors. The digital report, “Unthinkable,” enumerates the incidents that would have been unimaginable under most any previous US president, Republican or Democratic.

    14th Jan 2019 Industry News
Go to Full Site